“Becoming Visible: Gender and Space in Chen Qiulin’s Farewell Poem (2002) and Jia Zhangke’s Still Life (2006),” in Viktor Pal and Iris Borowy eds. Waste and Discards in the Asia Pacific Region (London and New York: Routledge, June 2023)
“Beyond the Brush: Wesley Tongson’s Contemporary Ink Experimentations,” Asia Network Annual Conference, April 2023.
“Remediating Landscapes: Lin Fengmian and Wu Guanzhong’s Oil and Ink Exploration, from France to China,” College Art Association Annual Conference, upcoming February, 2023.
“Wesley Tongson’s Techniques in Ink Painting,” Wesley Tongson: Home and Away (Panel Discussion), Hong Kong University and Gallery du Monde, May 2022
“Chen Danqing: Gazing Back Towards China,” Asia Network Annual Conference, April 2022.
"Between Concealment and Revelation: Empress Dowager Cixi's Experiments with Representation", Archives of Asian Art, April 2022; 72 (1): 97–127 [DOI]
“Beyond the Brush: Wesley Tongson’s Experimental Ink Paintings,” Orientations, Jan/Feb 2022
“Becoming Waste: An Examination of Chen Qiulin’s Farewell Poem (2002) and Jia Zhangke’s Still Life (2006),” Waste Now! Histories and Contemporalities of Discards workshop, June 2021
"Revolutionary Karma? Blindness and Muteness in Li Jun’s Serf (1963)", Association for Asian Studies, Annual Conference, Virtual, March 2021
"Apostasy, Spectral Memories, and Reiterations of Community: Examining Tenzing Rigdol’s Installation Our Land Our People (2011)", College Art Association, Annual Conference, Virtual, February 2021
Panel chair for "In and Out of Place: Migration, Memory, and Citizenship in 21st-Century Asian Art", College Art Association, Annual Conference, Virtual, February 2021
“Displaced in Place: Lhasa Tibetan Artists in Search of Homeland”, Association for Asian Studies, Annual Conference, Denver, March 2019.
Invited Panel Discussant for “Art under Military Occupation,” Association for Asian Studies, Annual Conference, Denver, March 2019.
“Displaced Tibetan Artists Exploring New Mediums”, Society for Asian Art lecture at Berkeley Art Museum and Pacific Film Archive, March 2019.
“Buddhist Narrative Arts Across Asia” Society for Asian Art lecture at Berkeley Art Museum and Pacific Film Archive, July 2018.
"Labour and art during the Cultural Revolution: An analysis of the sculptural installation Wrath of the Serfs (1975)", Journal of Contemporary Asian Art, Volume 4, Numbers 2-3, 1 September 2017, pp. 243-268(26) [More]
“Practiced into Being: Interactions of Theos Bernard’s Collecting, Photographic and Yogic Practices”, Berkeley Collects, Mellon Symposium University of California, Berkeley, May 2016
“Wrath of the Serfs: An Examination of a Propaganda Installation”, Socialist Art and Architecture in East Asia, Association for Asian Studies Annual Conference, Chicago, March 2015.
“Bodily Interaction and Memory (Dis)location: Gade’s Prayer Wheels (2010) Installation”, Sense-ability: Multi-perceptual Encounters with Art, 48 th Art History Graduate Student Symposium, University of California, Los Angeles, October 2013.
“Eluding Categorization: Portraits of the Empress Dowager Cixi”, Mechanics of Beauty, Annual Graduate Student Symposium University of Washington, Seattle, May 2013.
“One, Two or None at All? Doubles and Mirrors in the Photographic Portraits of Empress Dowager Cixi”, Eyes on Protest, Annual Graduate Student Symposium, University of British Columbia, Vancouver, April 2013.